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<channel>
	<title>Matthew Lechowick Design</title>
	<link>http://www.matthewlechowick.com</link>
	<description>Matthew Lechowick Design</description>
	<pubDate>Fri, 27 Apr 2012 18:57:41 +0000</pubDate>
	<generator>http://www.matthewlechowick.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Google Maps API</title>
				
		<link>http://matthewlechowick.com/Google-Maps-API</link>

		<comments>http://matthewlechowick.com/following/matthewlechowick.com/Google-Maps-API</comments>

		<pubDate>Fri, 27 Apr 2012 18:57:41 +0000</pubDate>

		<dc:creator>Matthew Lechowick Design</dc:creator>
		
		<category><![CDATA[test, GIS, Google, custom, graphic, planning, design]]></category>

		<guid isPermaLink="false">3199888</guid>

		<description>This is a test of the Google Maps API.  I was disappointed by the choices of what kind of graphics you get out there from map companies and online map services.  I found the Google Maps API and I am to style the maps for an urban planning/architecture look/style to it.

Static Image of Sacramento: 
&#60;img border="0" src="http://maps.googleapis.com/maps/api/staticmap?center=38.580901,-121.493584&#38;zoom=16&#38;format=png&#38;sensor=false&#38;size=640x480&#38;maptype=roadmap&#38;style=feature:administrative&#124;visibility:off&#38;style=feature:landscape.man_made&#124;saturation:-100&#124;visibility:on&#124;lightness:-85&#38;style=feature:landscape.natural&#124;element:geometry&#124;lightness:-70&#124;saturation:-100&#38;style=feature:poi&#124;saturation:-100&#124;lightness:-50&#38;style=feature:water&#124;element:geometry&#124;saturation:-100&#124;lightness:100&#38;style=feature:road&#124;saturation:-100&#124;lightness:-95&#38;style=feature:transit&#124;saturation:-100&#124;lightness:-10&#38;style=element:labels&#124;visibility:off&#38;style=feature:poi.government" alt="Google Maps API - Sacramento, CA Cesar Chavez Park" width="640" height="480" /&#62;


&#60;img src="http://payload44.cargocollective.com/1/0/20953/3199888/Google Maps API - Custom 01 San Francisco A.png" width="654" height="590" width_o="654" height_o="590" src_o="http://payload44.cargocollective.com/1/0/20953/3199888/Google Maps API - Custom 01 San Francisco A_o.png" data-mid="16891738"  border="0" align="left"/&#62;, 
&#60;img src="http://payload44.cargocollective.com/1/0/20953/3199888/Screen shot 2012-04-27 at 11.44.55 AM_900.png" width="900" height="444" width_o="1264" height_o="624" src_o="http://payload44.cargocollective.com/1/0/20953/3199888/Screen shot 2012-04-27 at 11.44.55 AM_o.png" data-mid="16893249"  border="0" align="left"/&#62;
</description>
		
		<excerpt></excerpt>

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	</item>
		
		
	<item>
		<title>Professional Architecture Work</title>
				
		<link>http://matthewlechowick.com/Professional-Architecture-Work</link>

		<comments>http://matthewlechowick.com/following/matthewlechowick.com/Professional-Architecture-Work</comments>

		<pubDate>Wed, 30 Mar 2011 01:23:36 +0000</pubDate>

		<dc:creator>Matthew Lechowick Design</dc:creator>
		
		<category><![CDATA[architecture, design, commercial, studio, Sacramento, California, SketchUp, 3ds Max, 3D, rendering, planning, drawing, hotel, mixed-use, Railyards, Sacramento, California]]></category>

		<guid isPermaLink="false">240760</guid>

		<description>After graduating with my Master's in Architecture from Illinois Institute of Technology, I have been working at Stantec Architecture, formerly Chong Partners Architecture.  Below are some projects I have worked on and their associated images.  I helped create these renderings working with AutoCAD, Revit, and/or 3ds Max; the designs are owned by Stantec Architecture:

10th &#38; U mixed use SD development
Kaiser Roseville work on multiple jobs
Railyards Construction Animation Sequence
Sacramento Train Depot development studies
Broadway streetscape planning research
Boutique Hotel J &#38; 9th
Sutter Hill Transit Center SD, DD, CDs
Technology campus ADA study
Railyards Parking Garage Study
700 I Street corporate office tenant study
CSU Chico Colusa Hall 

Elks Restaurant renderings
Edmonton International Airport renderings

Charrette - Sacramento Zoo planning concept


&#60;img src="http://payload.cargocollective.com/1/0/20953/240760/CAMERA_02_LOBBY_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/240760/CAMERA_02_LOBBY_o.jpg" data-mid="8067390" caption="Stantec Architecture:  Elks Restaurant, Lobby" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/240760/CAMERA_03_STAIRS_900.jpg" width="900" height="592" width_o="900" height_o="592" src_o="http://payload.cargocollective.com/1/0/20953/240760/CAMERA_03_STAIRS_o.jpg" data-mid="8067392" caption="Stantec Architecture:  Elks Restaurant, Dining Area" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/240760/CAMERA_04_MIRRORWALL_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/240760/CAMERA_04_MIRRORWALL_o.jpg" data-mid="8067393" caption="Stantec Architecture:  Elks Restaurant, Dining Area" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/240760/CAMERA_05_BOOTH_900.jpg" width="900" height="599" width_o="900" height_o="599" src_o="http://payload.cargocollective.com/1/0/20953/240760/CAMERA_05_BOOTH_o.jpg" data-mid="8067394" caption="Stantec Architecture:  Elks Restaurant, Booth" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/240760/CAMERA_08_DINING_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/240760/CAMERA_08_DINING_o.jpg" data-mid="8067395" caption="Stantec Architecture:  Elks Restaurant, Dining Area" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/240760/hammerhead_Final copy_900.jpg" width="900" height="553" width_o="900" height_o="553" src_o="http://payload.cargocollective.com/1/0/20953/240760/hammerhead_Final copy_o.jpg" data-mid="8067396" caption="Stantec Architecture:  Edmonton International Airport, Hammerhead Area" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/240760/node concessions copy_900.jpg" width="800" height="600" width_o="800" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/240760/node concessions copy_o.jpg" data-mid="8067397" caption="Stantec Architecture:  Edmonton International Airport, Concourse" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/240760/typical concourse_Final copy_900.jpg" width="900" height="487" width_o="900" height_o="487" src_o="http://payload.cargocollective.com/1/0/20953/240760/typical concourse_Final copy_o.jpg" data-mid="8067399" caption="Stantec Architecture:  Edmonton International Airport, view down Concourse" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/240760/entry-2-20101210-sample-02a_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/240760/entry-2-20101210-sample-02a_o.jpg" data-mid="8067402" caption="Moniz Architecture:  Atria Community Center" border="0" align="left"/&#62;
</description>
		
		<excerpt></excerpt>

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	<item>
		<title>Hidden Media Console</title>
				
		<link>http://matthewlechowick.com/Hidden-Media-Console</link>

		<comments>http://matthewlechowick.com/following/matthewlechowick.com/Hidden-Media-Console</comments>

		<pubDate>Thu, 20 Jan 2011 06:49:19 +0000</pubDate>

		<dc:creator>Matthew Lechowick Design</dc:creator>
		
		<category><![CDATA[furniture, modular]]></category>

		<guid isPermaLink="false">945553</guid>

		<description>Matthewʼs media console was designed to both integrate and hide the various forms of media and electronics that invade every household. Each modular box was developed to house a specific media outlet, from gaming and cable consoles to DVDs and magazines. The aim is to allow customization through ordering and personal arrangement of the modules to fit oneʼs own media collection.

&#60;img src="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front 01_900.jpg" width="900" height="420" width_o="900" height_o="420" src_o="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front 01_o.jpg" data-mid="8062482" caption="Front View" border="0" align="left"/&#62;

The perforated metal front doors were placed to allow remote access while hiding the consoles and providing clean design.  An added benefit to the perforated metal doors is that it allows the electronics more ventilation compared to glass doors. The placement of LED strips and use of push release latches add to the convenience and usability of the piece.

&#60;img src="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-Electronics-Bay.jpg" width="441" height="115" width_o="441" height_o="115" src_o="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-Electronics-Bay_o.jpg" data-mid="8670101" caption="Electronic Console, flip up" border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-Cabinet-Large.jpg" width="449" height="502" width_o="449" height_o="502" src_o="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-Cabinet-Large_o.jpg" data-mid="8670103" caption="Cabinet, large" border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-Open-Shelf-Books---Records.jpg" width="215" height="243" width_o="215" height_o="243" src_o="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-Open-Shelf-Books---Records_o.jpg" data-mid="8670106" caption="Open Shelf for books and records" border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-Drawer-Long_900.jpg" width="900" height="244" width_o="900" height_o="244" src_o="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-Drawer-Long_o.jpg" data-mid="8670108" caption="Drawer, long" border="0" align="left"/&#62;

Please feel free to contact Matthew in regards to standardized layouts, custom layouts, and pricing.


&#60;img src="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front 02_900.jpg" width="900" height="420" width_o="900" height_o="420" src_o="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front 02_o.jpg" data-mid="8062483" caption="Front View" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front 03_900.jpg" width="900" height="420" width_o="900" height_o="420" src_o="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front 03_o.jpg" data-mid="8062486" caption="Front View, all doors and drawers opened" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front detail 01.jpg" width="399" height="600" width_o="399" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front detail 01_o.jpg" data-mid="8062487" caption="Front Detail" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front detail 02.jpg" width="399" height="600" width_o="399" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front detail 02_o.jpg" data-mid="8062488" caption="Front Detail" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front detail 04.jpg" width="399" height="600" width_o="399" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front detail 04_o.jpg" data-mid="8062491" caption="Corner Detail" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front detail 05_900.jpg" width="900" height="598" width_o="900" height_o="598" src_o="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front detail 05_o.jpg" data-mid="8062492" caption="Corner Detail" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front detail 06a_900.jpg" width="900" height="598" width_o="900" height_o="598" src_o="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front detail 06a_o.jpg" data-mid="8062493" caption="Electronics do not show through when they are turned off" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front detail 06b_900.jpg" width="900" height="598" width_o="900" height_o="598" src_o="http://payload.cargocollective.com/1/0/20953/945553/Hidden-Media-Console-front detail 06b_o.jpg" data-mid="8062495" caption="Electronics can be displayed with LED interior lighting or just being turned on" border="0" align="left"/&#62;
</description>
		
		<excerpt></excerpt>

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		<media:thumbnail url="http://payload.cargocollective.com/1/0/20953/945553/prt_1306208383.jpg" />

	</item>
		
		
	<item>
		<title>Reveal Clock</title>
				
		<link>http://matthewlechowick.com/Reveal-Clock</link>

		<comments>http://matthewlechowick.com/following/matthewlechowick.com/Reveal-Clock</comments>

		<pubDate>Thu, 20 Jan 2011 06:48:43 +0000</pubDate>

		<dc:creator>Matthew Lechowick Design</dc:creator>
		
		<category><![CDATA[clock, product, design, mechanism]]></category>

		<guid isPermaLink="false">259173</guid>

		<description>Reveal Clock: This piece turns time into art by removing the hands of the clock and allowing the face alone to reveal the time.  Presented in a large 30-inch diameter and a smaller 18-inch size and two finishes, the Reveal Clock is a simple yet artistic piece that can meet your time keeping needs.  The movements of each hour and minute pieces are to simultaneously change over one second (e.g. the 59 minute hand moves down as the 00 minute hand moves up).  Linear actuators for all seventy-two pieces will be coordinated by a controller, centralized in the middle of the clock.  The clock will be powered by 120 volt power.  

&#60;img src="http://payload.cargocollective.com/1/0/20953/259173/Reveal Clock Boards-01-cropped_900.jpg" width="900" height="468" width_o="900" height_o="468" src_o="http://payload.cargocollective.com/1/0/20953/259173/Reveal Clock Boards-01-cropped_o.jpg" data-mid="8061267"  border="0" align="left"/&#62;

Progress notes and more photographs to follow.

*I am showing my clock prototypes at the Chelsea Art Museum with the design group:  Model Citizens NYC 2011.  If you are in the New York area, please stop by and check the show out Friday, May 13th through Sunday, May 15th.

**The clock is currently in development, if you are interested in hearing more information about the clocks, please email me.


&#60;img src="http://payload.cargocollective.com/1/0/20953/259173/Reveal-Clock-30-Walnut-0959_900.jpg" width="900" height="900" width_o="900" height_o="900" src_o="http://payload.cargocollective.com/1/0/20953/259173/Reveal-Clock-30-Walnut-0959_o.jpg" data-mid="8061268" caption="09:59" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/259173/Reveal-Clock-30-Walnut-1000_900.jpg" width="900" height="900" width_o="900" height_o="900" src_o="http://payload.cargocollective.com/1/0/20953/259173/Reveal-Clock-30-Walnut-1000_o.jpg" data-mid="8061271" caption="10:00" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/259173/Reveal-Clock-30-Walnut-1001_900.jpg" width="900" height="900" width_o="900" height_o="900" src_o="http://payload.cargocollective.com/1/0/20953/259173/Reveal-Clock-30-Walnut-1001_o.jpg" data-mid="8061272" caption="10:01" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/259173/Reveal-Clock-30-Walnut-1002_900.jpg" width="900" height="900" width_o="900" height_o="900" src_o="http://payload.cargocollective.com/1/0/20953/259173/Reveal-Clock-30-Walnut-1002_o.jpg" data-mid="8061274" caption="10:02" border="0" align="left"/&#62;
&#60;img src="http://payload.cargocollective.com/1/0/20953/259173/Reveal-Clock-30-Walnut-1003_900.jpg" width="900" height="900" width_o="900" height_o="900" src_o="http://payload.cargocollective.com/1/0/20953/259173/Reveal-Clock-30-Walnut-1003_o.jpg" data-mid="8061275" caption="10:03" border="0" align="left"/&#62;
</description>
		
		<excerpt></excerpt>

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		<media:thumbnail url="http://payload.cargocollective.com/1/0/20953/259173/prt_1306116734.jpg" />

	</item>
		
		
	<item>
		<title>Paint Drip End Tables</title>
				
		<link>http://matthewlechowick.com/Paint-Drip-End-Tables</link>

		<comments>http://matthewlechowick.com/following/matthewlechowick.com/Paint-Drip-End-Tables</comments>

		<pubDate>Fri, 09 Apr 2010 04:36:51 +0000</pubDate>

		<dc:creator>Matthew Lechowick Design</dc:creator>
		
		<category><![CDATA[furniture, design, graffiti, interior, paint, drip, table]]></category>

		<guid isPermaLink="false">292789</guid>

		<description>The Paint Drip collections concept comes from my experience and fascination of graffiti in the built environment.  The paint drips of the work is increased in scale and then layered to work the same visually for the collection as it did for graffiti done over other graffiti.

The three configurations of the Paint Drip collection are available for purchase.  Please email me which table you are interested in, how many, and in what colors.

The durable materials of thick gauge sheet metal and high quality wood board are protected by two layers of powder coating.  This coating is done to the same level that farm equipment and other heavy duty equipment.  This makes the Paint Drip collection usable in both indoor and outdoor settings.

&#60;img src="http://payload.cargocollective.com/1/0/20953/292789/Paint-Drip-Stacking-Table01.jpg" width="399" height="600" width_o="399" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/292789/Paint-Drip-Stacking-Table01_o.jpg" data-mid="8066442"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/292789/Paint-Drip-Stacking-Table02.jpg" width="399" height="600" width_o="399" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/292789/Paint-Drip-Stacking-Table02_o.jpg" data-mid="8066443"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/292789/Paint-Drip-Stacking-Table03.jpg" width="399" height="600" width_o="399" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/292789/Paint-Drip-Stacking-Table03_o.jpg" data-mid="8066445"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/292789/Paint-Drip-Stacking-Table04_900.jpg" width="900" height="598" width_o="900" height_o="598" src_o="http://payload.cargocollective.com/1/0/20953/292789/Paint-Drip-Stacking-Table04_o.jpg" data-mid="8066447"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/292789/Paint-Drip-Stacking-Table05_900.jpg" width="900" height="598" width_o="900" height_o="598" src_o="http://payload.cargocollective.com/1/0/20953/292789/Paint-Drip-Stacking-Table05_o.jpg" data-mid="8066448"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/292789/Paint Drip Tables context black on black 01_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/292789/Paint Drip Tables context black on black 01_o.jpg" data-mid="8066440"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/292789/Paint Drip Tables context light gray 01_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/292789/Paint Drip Tables context light gray 01_o.jpg" data-mid="8066441"  border="0" align="left"/&#62;


Coffee Table 60" long x 24" wide x 16" tall.

Stacking End Tables 18" long x 18" wide x 18" tall.

Round Table (not pictured) 42" diameter x 14" tall.

&#60;img src="http://payload.cargocollective.com/1/0/20953/292789/Powder-Coating-Color-Choices-2_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/292789/Powder-Coating-Color-Choices-2_o.jpg" data-mid="8066449"  border="0" align="left"/&#62;

Price available upon request.</description>
		
		<excerpt></excerpt>

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		<media:thumbnail url="http://payload.cargocollective.com/1/0/20953/292789/prt_1306208118.jpg" />

	</item>
		
		
	<item>
		<title>Ice Cube Lights</title>
				
		<link>http://matthewlechowick.com/Ice-Cube-Lights</link>

		<comments>http://matthewlechowick.com/following/matthewlechowick.com/Ice-Cube-Lights</comments>

		<pubDate>Tue, 06 Apr 2010 05:30:36 +0000</pubDate>

		<dc:creator>Matthew Lechowick Design</dc:creator>
		
		<category><![CDATA[modular, LED, product, lighting]]></category>

		<guid isPermaLink="false">259208</guid>

		<description>This modular light is being researched to incorporate LEDs, batteries, and a special electrical connection to create a "daisy chain" based lighting system.

&#60;img src="http://payload.cargocollective.com/1/0/20953/259208/Light-LED-Ice-Cubes-rendering-plan_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/259208/Light-LED-Ice-Cubes-rendering-plan_o.jpg" data-mid="8059228"  border="0" align="left"/&#62;
Floor Plan

&#60;img src="http://payload.cargocollective.com/1/0/20953/259208/Light-LED-Ice-Cubes-rendering-perspective01_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/259208/Light-LED-Ice-Cubes-rendering-perspective01_o.jpg" data-mid="8059226"  border="0" align="left"/&#62;
Perspective
</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/0/20953/259208/prt_1306269184.jpg" />

	</item>
		
		
	<item>
		<title>Polyhedra Storage</title>
				
		<link>http://matthewlechowick.com/Polyhedra-Storage</link>

		<comments>http://matthewlechowick.com/following/matthewlechowick.com/Polyhedra-Storage</comments>

		<pubDate>Tue, 06 Apr 2010 05:30:34 +0000</pubDate>

		<dc:creator>Matthew Lechowick Design</dc:creator>
		
		<category><![CDATA[furniture, design]]></category>

		<guid isPermaLink="false">259970</guid>

		<description>These modular wooden storage containers can organize into a larger surface and store your belongings.

&#60;img src="http://payload.cargocollective.com/1/0/20953/259970/Coffee-Table-Polyhedra-perspective-01G_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/259970/Coffee-Table-Polyhedra-perspective-01G_o.jpg" data-mid="8050023"  border="0" align="left"/&#62;
</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/0/20953/259970/prt_1306281172.jpg" />

	</item>
		
		
	<item>
		<title>Limnology Institute</title>
				
		<link>http://matthewlechowick.com/Limnology-Institute</link>

		<comments>http://matthewlechowick.com/following/matthewlechowick.com/Limnology-Institute</comments>

		<pubDate>Fri, 12 Feb 2010 06:02:52 +0000</pubDate>

		<dc:creator>Matthew Lechowick Design</dc:creator>
		
		<category><![CDATA[architecture, school, MArch, design, studio, Rhino, 3D, Rhinoceros, 3ds Max, rendering, model, laser cut, Milwaukee]]></category>

		<guid isPermaLink="false">244369</guid>

		<description>Lim•nol•o•gy
noun: The study of the biological, chemical, and physical features of lakes and other bodies of fresh water.

&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_model_5941_900.jpg" width="896" height="600" width_o="896" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_model_5941_o.jpg" data-mid="8083751"  border="0" align="left"/&#62;

This studio explored the intersection between landscape architecture and architecture as an experiential intensity. We will explore the experience of a specific structure intensified by its location on a particular site while the experience of the site is similarly intensified by the architecture. By intensity, I mean an intensity of experience and perception. Aspects of the site are made more vivid and enhanced by architecture and vice versa.

Site and programmatic research can reveal contradictory, seemingly irresolvable, tensions. I am interested in design strategies that expose, rather than resolve, these points of abrasion. Building and site are in dialogue, creating a vibrant tension between them. The point where they spatially or materially meet is the most vivid articulation of their discourse. The studio will investigate the space between the landscape and the architecture, what the Japanese refers to as ma.

The site chosen is a 25-acre site along the Menomonee River near Lake Michigan in the city of Milwaukee. The edge of the site creates intensity between land and water, city and lake. Design mediates the transition, not to blur its presence, but to make it more evident. Design is seen as a curator of our experience, creating the dialogue between the site and the architecture.

The design concepts should fuse with that of the site, framing itself in an intense dialogue with the structure, in which one cannot consider the structure without the site. The proposed project is the Milwaukee Limnology Institute, a center for the study of lakes, focused specifically on the Great Lakes. Laboratories will house researchers and Institute directors and staff. Housing will be provided for the director and various staff members. Research will support the Institute with an emphasis on sustainability. A conference center and library dedicated to lake research will form the public portion of the Institute. 

The design concept was to integrate the complicated program into the site and close back the loop by remediating the site.  First, the site would be mapped by the level of chemical contamination to determine which areas need to be excavated and treated off site and which areas can be treated by plants that leach chemicals out of the ground. Due to the intensity of the chemical plume, most of the site's soil will be excavated to be treated off site.  With that leaving a good portion of the site unearthed, to better integrate the Limnology Institute into the site and the fresh waters it studies, I propose to eliminate the exisiting eastern edge of the site to allow for a larger surface area for the Institute to study.

The buildings intends to gracefully grow out of the remaining part of the site to reach over the new edge of the water.  The main street to access the site is lined with retail and housing.  From there, visitors will park underground to leave the surface open for planting.  A grand stair leads you down the main covered corridor where the different branches of the Institute will intermingle.  As one goes to the office/branch of their choice, they are met with skylights and planter beds dropping down from the ceiling.  These sunken boxes can double as water tanks for the Institute's research.  As you reach the end of a branch of the Institute, you are greeted with a view of the water's edge framed by the surrounding city.  Since housing the Institute's visiting and permanent researchers can grow or shrink based on their budget, modular house boats would be used.  These house boats would sit in the Institute's water, anchored in around the Institute's branches and adorned with a linear shutter system to give the researcher's privacy when they need it.

Site Program

An existing 25 acre total  site with a 15 acre chloride plume. Develop a site planning solution for site contamination.
Site Limnology Institute research and conference center (140,000SF)  a  sustainable strategy is a given.
Conference Center
Auditorium
Breakout space
Total SF = 10,000

Library
Reading rooms
Stacks
Total SF = 15,000

Directors office
Research office
Marketing office
Open office
Storage
Meeting space
Total SF = 5,000

Laboratories
Research offices
Open labs
Lab stations 
General storage
Total SF = 35,000

Research tanks inside (5000 gal tank)
Tank deck
Total SF = 15,000

Exhibit space
Lobby
Gallery
Exhibit shop
Multimedia space
Classroom
Total SF = 50,000

Loading dock
Mechanical space 
Circulation 
Restrooms
Total SF = 25,000
Total Enclosed SF = 140,000

Provide parking for 250 cars @ 350 SF
Total SF = 87,500.

Illinois Institute of Technology, spring, 2007


&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_Surface Area-1_900.jpg" width="900" height="582" width_o="900" height_o="582" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_Surface Area-1_o.jpg" data-mid="8083755"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_Water Cycle_900.jpg" width="844" height="600" width_o="844" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_Water Cycle_o.jpg" data-mid="8083766"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_User Hierarchy_900.jpg" width="900" height="575" width_o="900" height_o="575" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_User Hierarchy_o.jpg" data-mid="8083756"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_Bubble Diagram-3_900.jpg" width="900" height="560" width_o="900" height_o="560" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_Bubble Diagram-3_o.jpg" data-mid="8083746"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_model_5948_900.jpg" width="896" height="600" width_o="896" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_model_5948_o.jpg" data-mid="8083752"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_model_5961_900.jpg" width="900" height="529" width_o="900" height_o="529" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_model_5961_o.jpg" data-mid="8083753"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_model_5939_900.jpg" width="896" height="600" width_o="896" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_model_5939_o.jpg" data-mid="8083750"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_model_5941_900.jpg" width="896" height="600" width_o="896" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_model_5941_o.jpg" data-mid="8083751"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_model_5934_900.jpg" width="896" height="600" width_o="896" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_model_5934_o.jpg" data-mid="8083748"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_view down ramp 001_900.jpg" width="900" height="526" width_o="900" height_o="526" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_view down ramp 001_o.jpg" data-mid="8083759"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_view between library and research 1_900.jpg" width="900" height="526" width_o="900" height_o="526" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_view between library and research 1_o.jpg" data-mid="8083758"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_view on top of research 2 to east_900.jpg" width="900" height="526" width_o="900" height_o="526" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_view on top of research 2 to east_o.jpg" data-mid="8083765"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_view from research 1 arm 002_900.jpg" width="900" height="554" width_o="900" height_o="554" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_view from research 1 arm 002_o.jpg" data-mid="8083763"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_view from houseboat area to bldgs_900.jpg" width="900" height="554" width_o="900" height_o="554" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_view from houseboat area to bldgs_o.jpg" data-mid="8083761"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244369/Limn_research 2 view to arm_900.jpg" width="900" height="491" width_o="900" height_o="491" src_o="http://payload.cargocollective.com/1/0/20953/244369/Limn_research 2 view to arm_o.jpg" data-mid="8083754"  border="0" align="left"/&#62;
</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/0/20953/244369/prt_1306286279.jpg" />

	</item>
		
		
	<item>
		<title>Bloomingdale Line</title>
				
		<link>http://matthewlechowick.com/Bloomingdale-Line</link>

		<comments>http://matthewlechowick.com/following/matthewlechowick.com/Bloomingdale-Line</comments>

		<pubDate>Fri, 12 Feb 2010 05:42:38 +0000</pubDate>

		<dc:creator>Matthew Lechowick Design</dc:creator>
		
		<category><![CDATA[architecture, school, MArch, design, studio, 3D, 3ds Max, rendering, Photoshop, planning, diagram]]></category>

		<guid isPermaLink="false">244372</guid>

		<description>The Bloomingdale Line was originally constructed in 1873 by the Chicago and Pacific Railroad Company as part of the 36-mile (58 km) Elgin subdivision from Halsted Street in Chicago to the suburb of Elgin, Illinois.  

&#60;img src="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-4_900.jpg" width="900" height="526" width_o="900" height_o="526" src_o="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-4_o.jpg" data-mid="8083903"  border="0" align="left"/&#62;

The railroad was elevated approximately twenty feet in the 1910s as result of a city ordinance aimed at reducing pedestrian fatalities at grade crossings. The line had been a street running railway within Bloomingdale Avenue, an east-west street running at 1800 north on Chicago's grid; creating the embankment reduced Bloomingdale Avenue's width in most cases. Steel-reinforced concrete embankment walls line the right-of-way and there are 38 viaducts built into the railroad to accommodate cross traffic from the street grid. Many of the viaducts are currently in need of repair.

The line was used for both passenger and freight trains and served several local industrial businesses, including a Schwinn Bicycle Company warehouse. The Bloomingdale Line was primarily used to reach the Lakewood Branch and industrial district on Goose Island.

The City of Chicago first investigated converting the Bloomingdale Line into a greenway in a 1997 bicycle facilities plan, but it remained a freight line with occasional service for several more years. The City and community reintroduced the greenway concept as part of the Logan Square Open Space Plan in 2002-2004.  This plan proposes a linear park or greenway with public access ramps every six to nine blocks. At the east end, a trailhead would be created at the Chicago River and on the west end another trailhead would be integrated into the Logan Square YMCA campus.

A grassroots, non-profit organization, Friends of the Bloomingdale Trail (FBT), was formed in 2003 to be the focal point for advocacy and community involvement in the conversion project. FBT has partnered with the City and The Trust for Public Land, a national land conservation group, in a collaborative that will lead the project management, design, and development of the park.

Similar elevated greenway projects include:

The High Line, New York City
Promenade Plantée, Paris

My concept for the Bloomingdale Line was to blur the public and private boundaries of the linear park.  In investigating existing conditions and uses of the Bloomingdale Line and the immediately adjacent buildings, I noticed that some private properties that abutted the Bloomingdale Line started delineating this future public space as their private backyard.  I found this interesting and wanted to use this idea of the private and public comingling.  Over the first five years of the Bloomingdale Line Linear Park, it would need to bioremediate the soil and develop the public park paths and start adding the landscaping.  Areas of extreme soil contamination of arsenic and other toxic chemicals will be bioremediated on other parts of the park (shuffling toxic soil mitigation where development is not occuring).  Areas with existing public parks, open space, and/or existing high densities of traffic will have the Bloomingdale Line’s retaining wall carved down to grade to make greater accessibility to the public (public access at existing public areas).  As the park is being developed and rehabilitated, the closest abutted buildings to the site (commercial, apartment buildings, and single family homes in that order) will be appropriated by the City of Chicago, much like the Canadian Pacific Railroad donated or sold the Bloomingdale property.  This partial and/or whole appropriated property will then be recategorized in its use whether it be public seating areas, private areas, or new commercial spaces that will cater to the new use of the Bloomingdale Line as a public park.  Any privatizing of the Bloomingdale Line Park is property of the immediate neighborhood/block as a community shared park area.  This gives the immediate neighborhood more personal attachment, ownership, and sense of responsibility to this nearby park while they keep an open public pathway for the bicycles and pedestrians, thus fullfilling the needs of the nearby private residents/users and greater public that will come to use the park. 

Illinois Institute of Technology, fall, 2006


&#60;img src="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-3_900.jpg" width="900" height="544" width_o="900" height_o="544" src_o="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-3_o.jpg" data-mid="8083902"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-4_900.jpg" width="900" height="526" width_o="900" height_o="526" src_o="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-4_o.jpg" data-mid="8083903"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-5_900.jpg" width="900" height="333" width_o="900" height_o="333" src_o="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-5_o.jpg" data-mid="8083904"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-6_900.jpg" width="900" height="582" width_o="900" height_o="582" src_o="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-6_o.jpg" data-mid="8083905"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-7_900.jpg" width="900" height="582" width_o="900" height_o="582" src_o="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-7_o.jpg" data-mid="8083907"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-8_900.jpg" width="900" height="583" width_o="900" height_o="583" src_o="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-8_o.jpg" data-mid="8083909"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-9_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-9_o.jpg" data-mid="8083910"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-11_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-11_o.jpg" data-mid="8083911"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-13_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-13_o.jpg" data-mid="8083912"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-14_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-14_o.jpg" data-mid="8083913"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-19_900.jpg" width="900" height="600" width_o="900" height_o="600" src_o="http://payload.cargocollective.com/1/0/20953/244372/Bloomingdale-19_o.jpg" data-mid="8083914"  border="0" align="left"/&#62;

</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/0/20953/244372/prt_1306281382.jpg" />

	</item>
		
		
	<item>
		<title>Pullman Palace Car Museum</title>
				
		<link>http://matthewlechowick.com/Pullman-Palace-Car-Museum</link>

		<comments>http://matthewlechowick.com/following/matthewlechowick.com/Pullman-Palace-Car-Museum</comments>

		<pubDate>Tue, 09 Feb 2010 03:03:37 +0000</pubDate>

		<dc:creator>Matthew Lechowick Design</dc:creator>
		
		<category><![CDATA[design, architecture, studio, MArch, railroad, train, transportation, museum]]></category>

		<guid isPermaLink="false">258556</guid>

		<description>Historic Pullman was built in the 1880s by George Pullman for his eponymous railroad car company, the Pullman Palace Car Company. Pullman's architect Solon Spencer Beman was said to be so proud of his creation that he asked George Pullman if the neighborhood could be named for himself. Pullman responded to the effect, "Sure, we'll take the first half of my name, and the second half of yours."

&#60;img src="http://payload.cargocollective.com/1/0/20953/258556/Pullman-36_900.jpg" width="900" height="463" width_o="900" height_o="463" src_o="http://payload.cargocollective.com/1/0/20953/258556/Pullman-36_o.jpg" data-mid="8084059"  border="0" align="left"/&#62;

In a day when most workers lived in shabby tenements near their factories, Pullman seemed a dream, winning awards as "the world's most perfect town." Everything, from stores to townhouses, were owned by the Company. The design was pleasing, and all of the workers' needs were met within the neighborhood. The houses were comfortable by standards of the day, and contained such amenities as indoor plumbing, gas, and sewers.

Pullman's misfortune came during the depression which followed the Panic of 1893. When demand for Pullman cars slackened, the Pullman company laid off hundreds of workers, and switched many more to pay-per-piece work. This work, while paying more per hour reduced total worker income. Despite these cutbacks, the Company did not reduce rents for those that lived in the town of Pullman. The Pullman Strike began in 1894, and lasted for 2 months.

George Pullman himself died in 1897. The Illinois Supreme Court required the company to sell off the town which was annexed into the city of Chicago. Within ten years, all non-manufacturing property - the houses, the public buildings - was sold off to the individual occupants.

Along with the whole South Side, the town of Pullman had been annexed to the City of Chicago in 1889. After the strike Pullman gradually became a regular Chicago neighborhood, only with distinguishing Victorian architecture. The fortunes of the neighborhood rose and fell with the Pullman Company.

The Pullman factory made its last car in early 1982 for Amtrak. The neighborhood's decline that began in the 1950s continued, but that economic decline at least spared the district's architecture. In 1960 the original Town of Pullman, approximately between 111th and 115th Streets, was threatened with total demolition for an industrial park. The residents there formed the Pullman Civic Organization and saved their community. By 1972 the Pullman Historic District had obtained National, State, and City landmark status to protect the original 900 rowhouses and public buildings built by George Pullman.

Since the preservation, our studio project started where the residents left off--to turn the Pullman industrial and administration buildings into a museum to its railroad and community planning contributions. 

The concept for the Pullman Palace Car Museum project was to create a museum addition that contrasted with the existing.  This visually striking contrast would let each work programmatically together, but visually each stand on their own.  This "standing on its own" is translated to the more public functions of the program by jutting/pulling/bulging out from the main mass of the museum--restaurant, cafe, entry, and gift shop.  Some Pullman Palace cars are used as displays and signage to people passing by to add to let the train cars to stand out on their own.  The landscape concept was to blend the museum back to a more indigenous approach of natural grasses and contrast it with a more rectilinear set of boxes to frame the types of plants the original Pullman residents would have planted.  This concept is also shown in the back of the museum where a large 5 foot deep pit of slag was left and would be installed with raised train tracks over the planting off indigenous grasses to showcase the newly restored train cars.

Additionally, I used my programming class to do an extensive program research of transportation museums, specifically, the California State Railroad Museum in Sacramento.

Illinois Institute of Technology, fall, 2005


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